Friday, August 7, 2015

Privilege, Prejudice, and the Precipice

The first thing that happened is I got invited to a party. (Just to repeat with the correct emphasis: I got invited to a party.) Now, granted, it was a party for work. And if they hadn't invited me, it would've been cruel. Either way, I got invited. After this invitation, I had two more days of work, and then, on a fateful Tuesday night, I attended a party with all my "coworkers." (That's such a grown up word, but I don't have an alternative.) The party, like, happened, or did whatever it is parties do. And then I went to bed. On a couch. In a sleeping bag. (I learned a valuable lesson about the difference between an invitation to a party and the party itself. I like invitations; I do not like parties.) Anyway, I woke up on Wednesday morning, picked up my bag from the Rosens, and made my way to New York. I had worked, played softball, and completed the homework for a class I no longer wanted to take for too long and when I finally got on the road, on the ferry, off the ferry, and on my way to Haylee's, I thought I was going to cry. (?). Like, I was happy and I was going to cry.

The only thing I could think was, "I'm on vacation. I'm on vacation? I'm on vacation!" and I cried. My best friend lives three hours from me, and I was getting closer every second. I was going to lie next to the pool, in the sun, and have no responsibility to yell at children. That's what I did. And it was awesome. I drove, my privilege hitting me like a ton of bricks every mile marker. Then I got lost and had to call Haylee, who met me at the end of her road. I pulled over after I turned onto her sidestreet, and, after some vehicular finagling, so did she. We both got out, hugged, broke apart, hugged again, broke apart, screamed, hugged one more time, and then got back into our cars.

After two days spent poolside and shopping, we made our way to Canada for a music festival. (The thought of which still seems ridiculous in hindsight.) Anyway, Haylee and I lost our hearing during the twenty one pilots concert, jumped and danced for Weezer, and (I) screamed for Father John Misty. I spent much of our time dragging my directionally challenged friend from one place to the next, pointing us toward photo booths and kiosks. (Haylee seemed only able to locate a fruitless claw machine.) Either way, we ate poutine and ordered in on Sunday night. We went to another, different party, rode in a taxi, and walked around Montreal like it was our job.

Honored, I felt, to spend this long, long weekend with Haylee, to see such amazing artists, to pay way too much for food, and to be here, to be present.

***

Haylee and I were navigating the subway system, an apparatus I'd never encountered, in order to move from our hotel to the music festival and back. On Friday night, we were walking along a long hallway, which led to the exit and, five blocks later, our hotel. At the end of the hall two men were situated, one sitting, the other standing. The standing one moved between the legs of the sitting one in order to make sexual gestures. Haylee and I, if we hadn't already, visibly stiffened. Haylee, who lacks a sense of direction, and I, panicked and still unsure in a city almost 4000 times the size of Burlington, did not know what to do, where to go, when two french-speaking men were walking toward us with was obviously an agenda. Incidentally, we took a wrong turn and ended up explaining to a woman who only spoke French, that we needed her to just walk with us for a certain amount of distance we could not describe. She finally understood, at least to some extent, and Haylee and I walked the five blocks back to our hotel looking over our shoulders.

In other news, a black twelve-year old girl's jaw was fractured by a white police officer and GOP candidate Ben Carson believes we need to move beyond race.

In other news, queer history is constantly erased and the other day my father told me that "all the queers like Freddie Mercury went around giving themselves AIDS."

In other news, our elected officials, and the society they represent, are so against pre-marital sex that the idea of closing many people's only access to (sexual) healthcare is a more logical option allowing abortions.

In other news, 48.4% of girls in Yemen will be married before age 18. (Source)

In other news, I get really upset sometimes because I convince myself that my rhetoric isn't good enough to make a difference and even if it does, my voice isn't loud enough to have a widespread effect. No one's listening and even if they were it wouldn't matter.

***

My parents were arguing, about what who knows, who remembers. But it was not a small fight. My sister wasn't older than three, which would've made me about eight. I'm not sure if you, reader, know many eight-year-olds, but their decision making skills are not particularly honed. My sister's decision, on the other hand, was much easier. She was a baby, clinging tightly to the back of my legs until my mother moved to the door, said she was leaving, swore she wouldn't come back. (She didn't pack anything; she never does). But to the door she went. They were both screaming, deafeningly so. My sister was crying. I stood stock still. (Screaming adults are like that myth about t-rexes: if you don't move, they can't see you. You no longer exist. They no longer exist. Reality becomes quiet and empty.) My mother did move, scooped up my loudly crying sister and walked to the door. Everyone shouted their sarcastic, biting good-byes, and I followed my mother to the final door.

At my house, the porch door closes at the edge of a large drop off. I spent afternoons jumping from the ground onto the edge, and seeing how long I could balance on the small piece of metal extending from the house. Every time I stepped up it, I leaned forward a bit and brought my knee close to my chest. Now I stood, toes hanging over the edge of the same metal strip, unsure what to do or where to go. My mother was walking toward her car; my sister was, thumb in her mouth, sitting, bouncing with each step, on my mother's hip. My mom turned back when she didn't her the crunch of my sneakers on the stones behind her. Her face and voice incredulous, "Are you coming?"

My mouth opened, but nothing came out. I looked down at my sneakers. It was just one big step. I could lean forward, put my foot out and break into a small jog, just like I did every time I found myself at this precipice. The edge seemed too big, the drop too far, and the height too great, yet the metal piece, I knew was not my home. I didn't know what to do. Nowhere seemed to be where I should go. My mom took my answer hastily. "Fine," she shouted. "Stay with him." And so I did. Until my mom and sister came back.

I had watched them reverse out of the driveway. I had stood and watched the trees across the street until my feet and legs ached. Eventually, I had returned to my room to do whatever it is eight-year-olds do when their mothers and fathers divide them up like property.

I think about this moment a lot. The moment on the precipice. The time I didn't move. Plenty of fights occurred later. In these I made different decisions, following my mother easily out the door and into her car. (We went to my grandma's.) But this one sticks out to me. My mother's tone. My indecision. The way that not choosing a side made it seem like I had chosen a side.

Now I think of my present self in the same situation. One parent screaming on the left and the other on the right. I think of my sister, clinging to the back of my legs. I see myself, car keys in hand, putting my own car in reverse and driving to get ice cream with my sister. I see us driving to my grandmother's for the night. The three of us sleeping in her king bed together. Getting up early and deciding against cereal, because what is it with old people and almond milk? I don't know where we would go or what we would do from there, but I refuse to stand on a precipice any more. My decision is no longer either/or. My decision isn't mom or dad, it's me. I choose me.

***



Monday, July 6, 2015

Two || Perfect Circles Entwined

Two weeks from the end of finals, we sat in Alliot, which is the Saint Michael's dining hall, or, more accurately, the cafeteria. Before our 8:30 class, we gathered in Alliot to shovel cereal into our mouths in a sleep-like state before joining the mass exodus from the cafeteria and toward the academic buildings. Haylee sprinkled salt and pepper on her hardboiled eggs. Nichole provided the table with commentary on the difficulty of peeling the shell from her own hardboiled egg. Amy and Shae hadn't sat down yet and Haylee rose to get a drink. I pushed my captain crunch from one end of the yellow bowl to the other. I looked up at Nichole who was only slightly grumpy with how her egg had come apart.
"Nichole?"
"Hmm," she didn't look up from her eggs as she picked away shell from pieces of edible egg.
"Do you think--I mean, like, do you think that we create messes?" My words fell out of my mouth awkwardly and Nichole finally looked up at me. "I mean, like, do we create the messes or are we just the messes and everywhere we go spread the mess. Like the infinitely increasing entropy of ourselves?"
Pepper shaker in hand, Nichole looked down at her eggs, torn from their shell, separated from the yolk, and ripped from other pieces of egg white. When she looked back up at me, she said, "Where do you come up with these things?"

***

S: I'm sorry the past couple weeks have been stressful. But all will be well soon. Just keep doing your best. U r da bomb.
H: Thanks Sam. You are fucking awesome.

***

In my dream, my face is close to your chest; the fabric scratches my nose. The phrase is tête-à-tête... sort of. My arm drapes over your middle, barely touching whatever is underneath us. You speak, slowly and sleepily, and tell me about the sharks. I realize my fingertips touch sand, warm in the summer sun. You describe the sharks, snarling and snapping, as if sharks could make such noises. But I believe you. (Trusting, gullible, your choice.) You say the sharks are coming and what was once an image of a calm, lapping, welcoming ocean beneath a sun whose heat hugs me snugly, becomes dark and cold and frightening. The ocean beckons us, not with open arms, but with a cruel, gnarled finger. I squirm closer to your chest, to protection. Your arms tighten in response. Coming for us how? Who knows, but they are coming. The water-bound sharks do indeed snarl and snap as they propel themselves across the sand with their fins. We are flightless.

***

While driving and sad, the easiest way to measure your stability is to listen to the radio. If you are the saddest of sads, one of two things will happen. You will become stressed by the lack of relatable and acceptable content provided by the radio conglomerates, causing you to smack a random selection of buttons at once and cry out pathetically before slowing down and pulling over to the side of the road to sob loudly in the semi-privacy of your car. People passing might think about stopping to make sure you're okay, but your obvious wailing will make their eyes widen and allow them to continue on their path without guilt. When you finally compose yourself, you will simply turn on your directional, fruitlessly wipe your eyes, and continue crying (quietly) as you approach (slowly) your destination; you are alone.

This is the first option. The second comes when every radio station and every corporately-owned popstar seems to understand your current emotion; they've created these songs especially for you, sad, lonely, down-trodden, crest-fallen, heart-broken, listener. Someone, on the other end of your car speakers seems to understand. You are not alone; the everyone you are with melds into one being. You know this amalgamation of persons that has become one exists somewhere and they knows the depth of your sadness; their words are a reflection of your soul. So, like the (sad) kindred spirits you are, you scream, together.

***

I am crying in an uncontrollable manner. My sobs make it almost impossible to speak and my nose has become too stuffed to provide air. Haylee sits across from me on my bed, telling me I'm okay and that I just need to calm down. "Buddy, buddy, it's okay," she says as I helplessly throw my head into her lap. I blubber, trying to explain more eloquently why I'm upset. I cry and cry and cry. Haylee says I should watch something engrossing. What she means is mind-numbing, but that's okay; I wouldn't mind being numb. Both her hands rest on my back, taking the vibrations of my tears. I cover my face in embarrassment. Eventually, I stop crying and sit up. "I'm okay," I lie. "I'm sorry," I say, telling the truth.
"What? No! Sammi! Stop. Don't be ridiculous. You're totally fine," Haylee tries to assure me, smiling at me. I return the smile weakly and look at my hands in my lap. I think hateful things about my hands and the other parts of my body that interact with the world. I think of all the harm they do and the wake of stupidity and annoyingness and bad they leave. As I disintegrate, my particles of unworthy and terrible disperse into the atmosphere. The mess I spread simply by existing disgusts me and I think of ways to exist less, exist smaller. I draw my knees to my chest. I need a way to shrink; no one can know I'm here.

I am not here, I am not here, I am not here.

I glance up once more before collapsing inward entirely. Haylee is still looking at me. Her eyes are big and sad and reaching. She seems to be cleaning my mess as I create it and I want her to stop before everything I am, everything bad, hurts her. She rebuilds my shambles and negates my entropic force with her calm. She absorbs my particles, overpowers them, turns them good, and gently puts me back together. I am here.

***


"Don't fucking move
'Cause everything you thought you had will go to shit.
We've got a lot.
Don't you dare forget that.

And I'm wasted.
You can taste it.
Don't look at me that way
'Cause I'll be hanging from a rope.
I will haunt you like a ghost."


"Then you walk
under the streetlights
and you're too drunk to notice
that everyone is staring at you
you don't care what you look like
the world is falling around you

You just have to see her
You just have to see her
You just have to see her
You know that she'll break you in two"

Wednesday, June 3, 2015

Chaos Like a Motherfucker

Close your eyes.

Take the stuff out of your hands.

Listen.

That's how Jim starts. As a junior, I heard these words and scoffed internally. I was much too cool. (News flash, Sammi. You're a fucking loser.) So I watched and waited, turning my head left and right. Are these kids actually closing their eyes? Really? Oh my god. How could they be caught doing such a weird thing? It felt like church. Kneel, clasp your hands, pray. But Jim spoke despite my haughtiness. I closed my eyes in an act of conformity. But when I did, there was the poem in front of me. Not particularly long, but red, definitely red. Sweet and arching, stretching across the horizon of my mind. This, I decided, would be my church.

***

You might be able to tell, but if not, I'm telling you I spent the weekend at the Champlain College Young Writers' Conference (CCYWC). I hadn't written poetry in like maybe two or three forevers so I was pretty much quitting writing indefinitely. That's a lie, but momentum is important in writing. Difficult to maintain, easy to lose. Anyway, I went to the writer's conference and I wrote. I wrote and I wrote and I wrote. I actually appreciated my notebook. I stared at, willing the words to appear on the page, which turned out to be an entirely ineffective method. I learned that in order for words to exist, they must be created--combined and coerced into collaboration. (Us millennials have no idea how such "arcane" technology works.) Beyond this discovery, I found the words, ideas, pieces, poems, babblings to be of a slightly greater than terrible quality. They were almost, like, good, or something? I liked my writing? The words I wrote didn't make me cringe when I read them ten minutes later.

In one craft session called Translating from English to English, we were given a copy of "Child" by Sylvia Plath (included at the bottom) and told to rearrange it, tear it apart, contradict its every assertion and create something new.

I.

my cloudy blindness is one of many ugly lackings
I reject gray geese,
the extinction of the old

the negated existence you ignore
December rainflake, colonist's cigarette
gargantuan

wrinkled stub
empty bath, blank
never meant to be illustrious

This troublous
clapping of eyelids, bright
sky filled with stars

II.

beautiful eyes
fill, wringing

meditate--want, should be

names:
Your
You
I--wrinkle

hands stalk dark images


So I did that and then I wrote a lot of prose. We read this poem called "Pluto Shits on the Universe" by Fatimah Asghar (included at the bottom), which was awesome, and then wrote a response.

Literature, we assume, is unchanging. There is Wordsworth and Emerson and Shakespeare. They are white and male and, therefore, their words are defining. The writers who follow, we assume, because we are told, are white and straight and male, and therefore defining. But Pluto "realigned the cosmos," creating beautiful change. The western literary canon "tried to order [Pluto]... tried to make [her] follow rules," said if she didn't how could she be a planet? But to Pluto, your day is "an asswipe. a sniffle. Your day is barely the start of [her] sunset." She is more than you. Pluto--not white, not male--redefined and "realigned the cosmos." She "shook the sky" and when she "broke your" straight, white, male "solar system," she opened a new sky, and "the sky is blue-gold: the freedom of possibility." Robert Frost said, "Writing poetry without rhyme or meter is like playing tennis without a net." Bu I know what Pluto would say: "Fuck your net."


Then I came home and some asshole took out my wisdom teeth, so now I'm dumb. But I wrote another thing, which is part of a longer piece of prose I've been working on. So here's that.

Amy put the office phone to her ear, pressed the number nine, and took a deep breath before punching in Ed’s number. The phone rang and rang and went to voicemail. Hi, you’ve reached Ed. Leave your name and number and I’ll get back to you as soon as I can. She didn’t bother to leave a message. Phone tag is the only way to talk to Eddy. She’d call him. He wouldn’t answer, but ten minutes later, when he looked at his phone, he’d ring back immediately. Amy pushed back from her desk, her brain turning from James, the bastard, to Ed. In high school, Ed partied. Amy, programmed to be overprotective, always either accompanied him or picked him up afterwards. He’d call from Angie’s or Calli’s or Margaret’s and she would get out of bed, one in the morning, and drive halfway across town. Ed would stumble out the front door and clumsily clamber into her passenger seat. His drunken rants were famous, always almost eloquent and, if nothing else, consistently interesting. Funny and almost insightful. During Amy’s senior year, Ed called. “Hey, Amy. I… Can you come get me? I wanna go home.” She didn’t remember the house but when Ed opened the door to her car, he was crying. Big, sloppy tears complemented with a stuffy nose, which he blew into drive-through napkins from her glove compartment. Amy didn’t say anything. He fiddled with the radio, putting on something slow and calm and low. The night gathered around them and the only light seemed to come from the headlights. It pooled in front of them, an unreachable mirage. Amy’s tires chased the light and Eddy stared out his window. A cemetery appeared on their right—a cliché of fog and eeriness. After a moment, Amy heard Eddy stop breathing entirely and then his breath returned in a heavy rush. She glanced at him quickly. His face with covered in darkness, but she heard him sniffle. “I—I just,” he started. Amy asked if he was okay. “I was looking,” he said. “I was looking at the grave stones and I just thought, holy shit. One day, that’ll be me, ya know. And I felt hollow, like there was nothing inside of me. And hot and cold, like the whole inside of my hollow body was hot and cold. And I thought, holy shit, that’s gonna be me one day and what the fuck am I gonna do ‘til then, Amy? Like, am I gonna get married or have kids or like, am I ever gonna get a job? We’re dying, Amy. We’re dying. What the fuck am I gonna do ‘til then.” Amy’s foot had automatically tapped the brake, slowing and stopping next to the cemetery.

“C’mon, Eddy,” she said. “Calm down. This is what happens when you drink.” Amy rolled her eyes, trying to quell his fears, but she knew this wasn’t what happened when he drank. He was drunk, she knew, but this was just Eddy.

“Listen to me, Amy,” he pleaded. “Look at them. They’re there and we’re here and one day we’ll be there but that’s the only thing that’s not moving. Think about everything else, it’s like, something you need to like, figure out. Like everything is a question and on the other side of the that fence is the answer.” His head turned to face Amy, but he didn’t look at her, but, rather, through her.

“Eddy,” Amy’s voice was soft and quiet; she hoped her tone felt like a warm hand on his shoulder, on top of his head.

“Yeah, Aims?” The air stagnated around the hearts of the still and silent living. Amy knew if they sat there too long, became another unmoving thing, looking at and through each other with their pool of unreachable light guiding their short ride, there would be no chance for decision or question. They would be determined. She knew they would be dead with no babies or spouses or jobs. Societal conformity or not—no matter how much they moved, or didn’t move—eventually they would stop. Just hollow existences—simultaneously hot and cold—who only needed one answer.

“C’mon Eddy. Let’s go home. Mom will start to wonder where we are.” But her eyes didn’t budge; they peered, through Eddy, through the window, through the metal fence, through the eerie fog and into the future.

“Yeah, okay.”

***

Anyway, that was CCYWC. I tried to type all of this with a bag of ice on my face. Have a good week.


"My heart is my armor
she's the tear in my heart
she's a carver
she's a butcher with a smile
cut me farther
than I've ever been"




"Child"
Your clear eye is the one absolutely beautiful thing.
I want to fill it with color and ducks,
The zoo of the new

Whose name you meditate -
April snowdrop, Indian pipe
Little

Stalk without wrinkle,
Pool in which images
Should be grand and classical

Not this troublous
Wringing of hands, this dark
Ceiling without a star.


"Pluto Shits on the Universe"
On February 7, 1979, Pluto crossed over Neptune’s orbit and became the eighth planet from the sun for twenty years. A study in 1988 determined that Pluto’s path of orbit could never be accurately predicted. Labeled as “chaotic,” Pluto was later discredited from planet status in 2006.
Today, I broke your solar system. Oops.
My bad. Your graph said I was supposed
to make a nice little loop around the sun.

Naw.

I chaos like a motherfucker. Ain’t no one can
chart me. All the other planets, they think
I’m annoying. They think I’m an escaped
moon, running free.

Fuck your moon. Fuck your solar system.
Fuck your time. Your year? Your year ain’t
shit but a day to me. I could spend your
whole year turning the winds in my bed. Thinking
about rings and how Jupiter should just pussy
on up and marry me by now. Your day?

That’s an asswipe. A sniffle. Your whole day
is barely the start of my sunset.

My name means hell, bitch. I am hell, bitch. All the cold
you have yet to feel. Chaos like a motherfucker.
And you tried to order me. Called me ninth.
Somewhere in the mess of graphs and math and compass
you tried to make me follow rules. Rules? Fuck your
rules. Neptune, that bitch slow. And I deserve all the sun
I can get, and all the blue-gold sky I want around me.

It is February 7th, 1979 and my skin is more
copper than any sky will ever be. More metal.
Neptune is bitch-sobbing in my rearview,
and I got my running shoes on and all this sky that’s all mine.

Fuck your order. Fuck your time. I realigned the cosmos.
I chaosed all the hell you have yet to feel. Now all your kids
in the classrooms, they confused. All their clocks:
wrong. They don’t even know what the fuck to do.
They gotta memorize new songs and shit. And the other
planets, I fucked their orbits. I shook the sky. Chaos like
a motherfucker.

It is February 7th, 1979. The sky is blue-gold:
the freedom of possibility.

Today, I broke your solar system. Oops. My bad.



Abby strikes a pose
Duncan does a dramatic reading of Green Eggs and Ham


Geof Hewitt AKA Nicki Minaj




Monday, April 27, 2015

Degree of Separation || "I'll dance if they ask, but it'll hurt"

**Disclaimer: it's almost 2am and I have no idea what I just wrote**


I promise I'm trying to sleep. I promise I brushed my teeth and changed into pajamas and climbed into bed. I also promise that behind my eyelids was a seemingly infinite reel images. Recent ones flash through first, like quick snap shots to recap the week. 

My head aches vaguely but my friends are going to the gas station. I compromise and buy a small slushie instead of a large one.

I grab Haylee's hand in the dim light, squeezing her thumb and forefinger together and jump up and down in excitement because my favorite band is within spitting distance and they're playing my favorite song, which simultaneously lasts seven forevers and an instant.

Then older images filter through.

Climbing into bed with my sister during winter break. The room is silent except her breathing and completely dark except the small light leaking through the window.

Flipping over my Strokes record to hear "Barely Legal" again.

Sitting on the floor while Mike plays a rendition of "Striped Sweater" on his guitar.

The night before the GS at Sunapee my junior year, we all sat on the carpet and watched "The Perks of Being a Wallflower." I crossed my ankles and hugged my knees to my chest. Sitting behind everyone, tottering between isolation and togetherness.

I promise I'm trying to sleep.

Watching and waiting. Counting to three. Making sure the little boy who just went under water comes back up. Just as a I stand to make sure he's okay, a small blonde head pops up, smiling and spitting water at his friend.

Stephanie and I watch movies on the couch in my living room. I fall asleep before my parents come home and wake up in my bed.

The lack of will to do anything which allowed me to sleep until twelve thirty in the middle of July.

A vague indifference clouds my entire existence. Do I care? Not really.

Stopping at Harwood before our class trip to Maine. Becca's excitement to see me and the cupcakes in my hand. The final moments of winning.

A hug from Fred. Small, thin, bony. "God-willing," he said. I nodded, but God always makes me squint.

Raven crying on my swing set. My uncertainty. 

I want my mom. I'd like to tell my mom. But my mother is all about simple solutions. She seems somehow color blind to the rainbow of the spectrum of human emotion. Maybe it's willful ignorance. Maybe she's just ignoring it.

Sitting in a black, rolling chair with my feet on my desk. Liezl reads Grapes of Wrath out loud to me while I do German homework and read for another class. There wasn't really time to complete all of it when I got back from softball the night before. I'd say I wonder why I didn't write a very good essay about Grapes of Wrath, but I really don't. 

Haylee looking up words on her phone in the middle of class. Receiving early-morning praise from our favorite professor and turning to smile smugly at me. 

Nikki finds me crying in basement of the library the week before finals.

The large questions remaining are Who? What? and Why?

They include, but are not limited to:
Who am I? Who do I want to be? Who are my friends? Who do they want me to be? Who do they need me to be?
What the fuck am I doing? What do I actually want to be doing? What do my friends think of me?
Why can't I sleep? Why am I doing this? Why don't I care? Why do I care so much?

Then the future spills out of some unbroken section of the unknowable. I say words I've said before, different time, different place. Hopefully a different sentiment.
"I'm not going to graduation." 
My mother returns with a "Sammi, please." 
"Mail me my fucking diploma," I declare, unmoved, or simply ignoring my movement.

Existence is a tiny insufficient peephole. No matter how hard you press your eye to the glass, there is no image to behold. Simply the presence of light and dark is observable. Pressing my eye so close to the glass, no light comes through. There is nothing to behold, forget a fucking picture.

My friends do things out of the realm of my immediate existence, becoming background noise to my crying, which occurs for seemingly no good fucking reason.

Shutting down is very simple and easy. Disassociate. Quiet, small smiles. Only provide noise or countenance when asked. "Are you okay, Sammi?" Nod. Small smile, no teeth. Cozy and comfortable, the world responds and recedes at the same rate I do. Untouchable, I feel untouchable.

I do not feel better. I promise I'm trying to sleep. But sleep doesn't want me. And if sleep wants to be a total fucking asshole then fuck it. I don't need you, sleep. Get out of my life.

I have no answers and I don't want today or tomorrow or yesterday or the next week or the week after that. I want nothing. A blissful ignorance. There's just enough information, just a large enough peephole to ruin me.

Who am I? Who are my friends? Who do they want me to be? Who do they need me to be?
What the fuck am I doing? What do I actually want to be doing? What the fuck? What the fuck?
Why can't I sleep? Why don't I care? Why do I care so much?

Send help.
Send help.
Send help.

I want my mom.

I promise I'm trying to sleep.

Lexi and I ride up the lift as Sunapee. She's already finished and I'm just going up for my run now. I hate GS. I hate everything. No. That's not true. I like Lexi. But fuck this sunny day and fuck this slow chair lift and fuck the GS course and fuck ski racing and fuck all the homework I have after this and fuck the embarrassment of doing so poorly the first run. Fuck everything. 

Everybody's a "writer," Sammi and you're not good enough.

Everyone's "hard-working" student, Sammi but you're just not that smart.

Everyone's family says they're pretty. But that's all they're doing, saying it. No regard for validity.

Not everyone is cut out to be a good friend, Sammi. Sorry to say you're just a shitty person.

Sorry, kid. Should've quit while you were ahead.

My father pitches to me in the batting cage. Every hit that would have been a fly-out earns me a ball thrown at my head.

I lay on my sister's bed. Rereading poems by E.E. Cummings. Reading out loud to my sister who literally could not care any less.

I try to tell my mom, "I don't know how to be a person." Receive a "Sammi, you're fine," a "Sammi, you're being ridiculous." 

"We're all here for you," Haylee writes over texts. I am a void, a blackhole. To be here is to be nowhere. To be here is to be scattered. To be ripped, atom from atom, into nothing.

Send help.
Send help.
Send help.

I want my mom.

I promise I'm trying to sleep.

There is a degree of separation. The door of ignorance. Thin, thin door. A small peephole. No image. Only light. Only dark.

Neither.

Only gray. Indiscernible. Unattainable. Unreachable. Unavailable. No image available. No image available. No image available.

Star-crossed. Not meant to be had. Not by you. Not now. Not ever.

Send help.
Send help.
Send help.

I want my mom.

I promise I'm trying to sleep.

A degree of separation.

I looked up a picture of no image available because aesthetic.

We went to a concert.


Don't you get bored of them giving you nothing?
I only press pause when you press play in my stomach
Flowerball, flowerball
How can you waltz through my bloodstream and then never call?
You make me shake even though I'm warm
You're my work of modern art and I want more



Back by demand, do whatever you can
you look older, I can tell by your hands
drinks only gin, says it's how to keep thin
but she's cryin' after every meal
no you don't know who you're making me feel

Six records in, don't know where to begin
singin' hey na na na na na na
(tell her that I just can't go on)
you'll follow through, it's the best you can do
singin' hey na na na na na na
(tell her that there's just something wrong)

Sunday, April 12, 2015

"So what's new with you, Dad, nothing?"

**I don't know if you want some context for this story, but I included the essay about Stephanie and Noelle at the bottom of this post.

*   *   *

My mother turned and shifted slightly in the booth, used her napkin for its intended purpose and asked again, "So what's new with you, Dad, nothing?" My grandfather, who we call Pop-pop, replied with something mundane and grandfather-like. The restaurant was packed, crowded, loud, and causing me stress; no one was sitting where they were supposed to sit, my mother had walked in twenty minutes late, and my sister and I are not conversation-holders, so before my mother's arrival my Pop-pop, sister, and I sat in silence broken infrequently and by bits of speech that didn't take much space in the landscape of conversation. I guess the tables around us with people expanding and buzzing with excitement and chatter equalized with the shrinking feeling within me.

The arrival of food and my mother presented me with an out, something to focus on other than the obliterating circle of silence forming between us. My mother immediately started reeling in a conversation, but the fish didn't want to be caught. Looking at her looking at me, I knew that she knew I was irked in this cramped, hot, and loud restaurant overfilling with crowds yelling to be heard; a buzzing filled my brain and my shrinking increased exponentially. "What's wrong?" she mouthed. I said nothing but looked left and right and then back at her, widening my eyes. (We had a similar experience a few months ago while packing my car. My mother kept saying things like, "Just throw it on top" and "I'm sure there will be room," which skyrocketed my stress levels, and I begged her to let us repack the car because everything was everywhere and I couldn't breathe. My mother kept asking what was wrong and telling me I didn't need to freak out, as if I had purposely decided to be anxious.)

After finishing most of my sandwich, I turned entirely and placed my feet on the rung of my sister's chair. Everyone else was still eating, but people were beginning to leave the restaurant and the line for ordering food was shrinking. The buzzing in my brain began to subside, but stopped entirely when I saw her. Over the booths across from our table, Stephanie became visible; the restaurant then seemed very quiet to me. Looking by chance in our direction, Stephanie didn't pause on my face, looked right through me; Am I here? Has my face changed so much? I thought; tall, blonde, and smiling, I wondered if she still smelled the way she did when I was a kid. "Mom, it's Stephanie."
"Who?"
"Stephanie Dancy." The noise of the the restaurant had returned full-force and my mother's hearing is selective at best.
"Who-Oh. Stephanie. Stephanie Dancy?"
"No, Mom, the other Stephanie," I said, rolling my eyes and after a few moments of leaning back and forth and saying "Where?" several dozens times, my mother finally found Stephanie. I don't know if Stephanie gave another thoughtless glance in our direction or if my mother began smiling and waving, but Stephanie found my mother's face and recognition inundated her countenance. We sat, finished with our meals, and my mother said, "Her little baby died," which answered a question I didn't want the answer to, a question I purposefully hadn't asked.

After ordering, Stephanie and Noelle, her daughter, came to our table. An arm around Noelle's farther shoulder, Stephanie told us how she was working as a nurse at BayState again to spend more time with Noelle, whose blue eyes were just as stark and bright as I remembered them. My mother then addressed Noelle directly, "Do you remember Kay, Noelle?" Noelle shook her head, but, pointing at me, said in a small voice, "I remember Sam." An image of Noelle, pointing at her shirt, which read in big, pink letters "BIG SISTER" and saying, "I have this because I am a big sister and my sister is the little sister." After that, the human traffic became disrupted by Stephanie and Noelle so they decided to wait for their food somewhere else.

We said good-bye to Pop-pop and my sister and I went to deposit our trash, silverware, and trays in the correct places. My mother walked over and stood next to Stephanie, asking her all the adult-y questions adults pretend to like answering. I leaned against a wall and faced Noelle, asking her how old she was (7), and her favorite subjects in school (gym, art, and recess). "I think I might be an artist," she said, looking at her shoes, which seemed to fit her better than the last time I saw her, her ankles seeming less tiny and her existence less bird-like and translucent.
"I think that's a great idea," I returned.
"I drew a horse--well, half of a horse--the other day and it, um, it really looked like a horse."
"Really? Did your mom put it on the fridge?"
"Noooo, my mom--"
"Your mom," I interrupted; Stephanie and my mom looked at us. My mother laughed; Stephanie's look had chagrin.
Noelle continued, "Well, there's so many things on the fridge--too many things, so like, but I think my mom accidentally threw it out." Just then, my Pop-pop called to us, "Andrea, Andrea." He said he had special Easter bread for us in the car, so we started toward the door. We said good-bye, good to see you, will call soon, tell your parents we said hi, and all the other unfulfilled bullshit. But there was a horrible stone in my stomach; moving was more difficult than usual.

Stephanie's daughters--the lithe, little bird-child who became so tall and the one she buried--seemed to both hang in the hair; the slowly forming Noelle, who is incrementally growing into her shoes, into a person, filled the air with a happy aura of kindness and the childish selfishness I knew she had and Stephanie's "other daughter" remained undeveloped; who was she? Who would she have been? Beautiful and blonde and tall and thin like her mother and sister; determined, artistic, brilliant, revolutionary. The loss of a tiny life, fragile and holding an unfathomable gravity, debased me and I tried not to shake as I hugged my little sister and told her I loved her.


**Here's the essay I wrote last year in Creative Non-fiction:

“Can you push me higher, Sam?” she asks, turning her little blonde head back to me as the momentum of the swing takes her away from and back toward me. I sort of laugh and say that yes, of course I can push her higher. She’s so small; her little bird arms connect to her little bird fingers gripping tightly to the chains of the swing. Noelle describes her upcoming sixth birthday party to me, blathering on about her cousin and her mom and her new shirt. The constant stream of words from her mouth, and her need to be looking at the person she’s talking to, make her turn her head towards me as much as is possible as she swings. Her azure irises reach into the furthest corner of her eye to meet mine. Her feet in their sneakers look too large for her spindly ankles as she kicks them back and forth with the momentum of the swing. Her tiny teeth are a stark white, a small contrast to her fair skin, revealed when she smiles and giggles. Midsentence, she looks down at the top of her arc and says urgently, “Not too high Sam!”
*          *          *
Stephanie Dancy, now Stephanie Paull, has been my neighbor for as long as I can remember. She used to babysit my sister and me when we were kids. She is tall and thin with straight features, bright eyes, and blonde hair. When she was twenty-years-old she became pregnant with her daughter Noelle. “I was in the middle of nursing school, had a great social life, and pretty much ‘had it all’ in the world’s view” (Paull). She had Noelle, who is now six, when she was twenty-one. “[Noelle’s] father and I had been dating each other since we were 15… When he and I first found out we were pregnant, he wasn't panicked like I was. I came from a religious home where premarital sex was not just discouraged; it was forbidden. I felt like a disappointment and a failure… [Noelle’s] father just said, ‘It's ok we can do this,’ but in all honesty I was desperate for it all to go away” (Paull). Stephanie found herself in a disadvantageous position and considered the logical options to get herself out. “I was always against abortion and I never thought I would have ever even considered it. However, I did. I thought: what if I just make it all go away and pretend it never happened? No one would ever have to know. I could go on and become the super nurse I always wanted to be and live my life the way I wanted to” (Paull.)
*          *          *
“Will you play with me, Sam?” I kneel down on the concrete of the Dancy’s driveway and a five-year-old Noelle pulls out a plastic tub of Legos and Lincoln Logs and train sets that are to be sold in the tag sale the Dancy’s hold annually. We divide up the Playmobil people and cows and I zoom my dumptruck over Noelle’s leg. Her plastic horse neighs and jumps over the fence containing it. My father stands near the garage with Noelle’s grandparents, Mr. and Mrs. Dancy. When he finishes speaking with them, Noelle and I are just putting the finishing touches on a Lincoln Log house, complete with a door, a few windows, and a corral to enclose our cattle. My father had returned home and when I make a move to follow him, Noelle clings to me and asks me to stay for just a few more minutes, explaining desperately that the cows are going to break free and how that would be bad because then cars could hit them. Mr. and Mrs. Dancy tell a slightly grumpy Noelle that I have to go home, but, if she behaves, I will come back over to swim later.
*          *          *
Stephanie feared being shamed by other people, most of all her parents. “I was afraid of what young girls from church who looked up to me would think, I was afraid everyone was going to see me as some ‘easy’ girl, and I was terrified my parents would disown me… I called Planned Parenthood to ask exactly what the abortion would be like… I do not judge girls or women who do have abortions because I truly understand the panic and feeling that there is no other option. However, even though I do not judge them for it, I will never say it is right” (Paull). Though she doesn’t think it is the correct course of action, Stephanie seems to sympathize with the three out of ten women who have abortions before they are forty-five (“Abortion”).
Michael Gazzaniga explains in his book, The Ethical Brain, that at twenty-three weeks, a fetus can be placed on life support outside of the womb and survive (Gazzaniga 7).  But before that time, it is not sentient and does not deserve the same rights as a conscious human. “The brain at Carnegie Stage 23… is hardly a brain that could sustain any serious mental life. If a grown adult had suffered brain damage, reducing the brain to this level of development, the patient would be considered brain dead” (Gazzaniga 8). Although a fetus has the potential to become a fully-functioning human being, in the case of an accidental or ill-timed pregnancy, the woman is already a fully-functioning human being. Generally, the pro-life argument is that the fetus could have grown into an outstanding member of society, but the same thing could be said of the mother, especially a young mother. The pregnancy may have been an accident and if a mother must take care of a child, a huge responsibility, at a young age or at a disadvantaged point in her life, she may never have the chance to mature intellectually and live her life to its fullest. If that fetus were allowed to grow into a child, it could make a huge change to life or medicine or science, but if a young girl is burdened with a child she does not want and cannot take care of, she may never have the opportunity to have a large impact on technology or health or the way that we live.
The importance of the autonomy of a woman’s body is paramount. If she wants to have the child, she should be able to do so free of judgment. If she decides that, in her life, a child is not what she needs or wants, she should be able to obtain an abortion easily and, again, free of judgment. By granting a fetus, which only has the potential to live, legal rights as a human, the woman, who is already living, is denied rights. The right to decide should always be granted to the mother, because she is the only one with control over her own body. Although an eight-week-old fetus has the appearance of a small human, its brain functionality is not close to that of a human (Gazzaniga 8).
“When I saw a little kidney bean shape on the screen,” Stephanie explains. “With a heart beating at only seven weeks pregnant, I knew there was a life that God had allowed to be created. I knew that even if I had an abortion and no one else would know, for the rest of my life, I would know and God would know” (Paull). Stephanie is an extremely strong, intelligent person and she made a sacrifice. She was in the middle of a rigorous nursing program and she worked hard between classes, homework, and taking care of a newborn. On top of this, her longtime boyfriend and Noelle’s father became a big partyer and seems to have abandoned Stephanie when Noelle was about two months old. “I do not want to sugar coat this. Choosing life was not easy… I slept about an hour a night with no help at all. My parents wanted me to realize how hard being a parent was. I'm glad they did that because it helped me learn from the choices I had made and change the way I was living before. I was exhausted, broke, sad, and lonely. When you have a child, your life is no longer about you. It is about self-sacrifice” (Paull).
Despite these circumstances, Stephanie graduated college with high honors: phi theta kappa. “Being a young single mom is not something I recommend to anyone, but despite how difficult it was, it was more than worth it. I named her Noelle because its biblical meaning is ‘precious gift,’ and that is exactly what she is to me. Noelle is my ray of sunshine. Watching her grow and change is a privilege. She is a delight in my life and I love being her mother” (Paull).
“I sacrificed the normal, free young-adult life, but I do not have one regret about that. I know if I chose abortion I would carry the regret of that my entire life… There were people who told us we couldn't be good parents at such a young age, that our lives would never amount to anything, that we couldn't possibly give her what she deserved. [Noelle’s father] listened to that and then tried to convince me to have the abortion, but I didn't care if he walked away or stood by me. I made my mind up that I was going to have the baby” (Paull). Stephanie’s decision to keep her daughter is an admirable one, but some women may not want her life. Some women may not think that adding a baby to their list of things to take care of will be advantageous to their career, and that can be true. “I now have other people, and my own parents, tell me how incredible of a mother I am. I have a job at the top hospital in this area, I have a wonderful husband who has taken Noelle as his own, I have two beautiful daughters; we own our own home. I would have to say, those people were very wrong” (Paull). None of Stephanie’s experience was easy; she worked hard and struggled a lot to become who she is. Some women may not have this kind of strength, this sort of wherewithal, and they may choose to have an abortion or give up their child for adoption. These choices are not weaker than Stephanie’s; they do not require less strength. They are simply different. Having an abortion does not make a woman feeble; she is strong enough to give up the idea of having a child.
*          *          *
Noelle must have been about three at the time; I was fourteen. She splashed loudly in the pool, struggling against her floaties; the tips of her almost-white hair were a bit green from spending so much time in the chlorine. Stephanie sat on the steps of the pool grinning and watching her daughter swim and bare her teeth in a way that resembled a smile. She turned to me, her smiling waning slightly. “Don’t ever have sex in high school,” she said flatly. My eyes widened, mostly in fear because people don’t say “s-e-x” in front of fourteen-year-olds. I simply nodded. Stephanie’s smile returned full-force as Noelle shouted, “Mommy! Mommy! Watch me! Watch me do this!”

Works Cited
“Abortion.” Planned Parenthood. Planned Parenthood Federation of America Incorporated, 2014.              Web. 20 March 2014.
Gazzaniga, Michael S. The Ethical Brain: The Science of our Moral Dilemmas. New York:
      Harper, 2005. Print.

Paull, Stephanie. Letter to the author. 18 March 2014. TS.
*   *   *
"I can change, I can change,
I can change, I can change"

Friday, March 27, 2015

Your Pineapple Girl

Hi y'all,

If I actually felt bad, I'd apologize for not posting in a month, but I don't actually feel bad. The reason I haven't written is because I literally don't have anything to say. So I wish you all the best. 

***

Distinct, separate,
existing discretely
and without connection

The glow emanating 
from being and objects
cannot pervade,
contact made impossible.

Only the warmth of hands,
twinning, spinning, almost
(but not)
brushing,
resembles the echo,
the ghost,
of connection.

***

Christine told me how she doesn't like reading her poetry to the class. My American Lit professor gave us a homework assignment: write at least four lines in trochaic tetrameter. So, I wrote a poem in trochaic tetrameter about Christine not wanting to read her poetry and read it to my class. It's called "Pineapple Girl."

She, blonde, blue-eyed, and blue of heart, 
Shone brightly, the sun of morning.
She sat, pensive, agitated:
She, pineapple girl, morning sun.

Announced it was, she would explain
A tale of herself, herself plain.
A resentment filled her at this,
A daunting task she refused fill.

"No," she shouted, our bright beauty.
No for such a revealing task.
No one would hear her pleas for cease;
No soul would hear Pineapple girl.

Finally, our sun relented.
Finding strength, she turned to face them,
Fumbled for words, to catch her breath,
Flung a piece of her soul for them.

Thus, our bright pineapple girl spoke:
"Poetry might as well be prose,
just hit enter a lot more."

***


***

"Rape Joke" from Motherland Fatherland and Homelandsexuals by Patricia Lockwood

The rape joke is that you were 19 years old.

The rape joke is that he was your boyfriend.

The rape joke it wore a goatee. A goatee.

Imagine the rape joke looking in the mirror, perfectly reflecting back itself, and grooming itself to look more like a rape joke. “Ahhhh,” it thinks. “Yes. A goatee.”

No offense.

The rape joke is that he was seven years older. The rape joke is that you had known him for years, since you were too young to be interesting to him. You liked that use of the word interesting, as if you were a piece of knowledge that someone could be desperate to acquire, to assimilate, and to spit back out in different form through his goateed mouth.

Then suddenly you were older, but not very old at all.

The rape joke is that you had been drinking wine coolers. Wine coolers! Who drinks wine coolers? People who get raped, according to the rape joke.

The rape joke is he was a bouncer, and kept people out for a living.

Not you!

The rape joke is that he carried a knife, and would show it to you, and would turn it over and over in his hands as if it were a book.

He wasn’t threatening you, you understood. He just really liked his knife.

The rape joke is he once almost murdered a dude by throwing him through a plate-glass window. The next day he told you and he was trembling, which you took as evidence of his sensitivity.

How can a piece of knowledge be stupid? But of course you were so stupid.

The rape joke is that sometimes he would tell you you were going on a date and then take you over to his best friend Peewee’s house and make you watch wrestling while they all got high.

The rape joke is that his best friend was named Peewee.

OK, the rape joke is that he worshiped The Rock.

Like the dude was completely in love with The Rock. He thought it was so great what he could do with his eyebrow.

The rape joke is he called wrestling “a soap opera for men.” Men love drama too, he assured you.

The rape joke is that his bookshelf was just a row of paperbacks about serial killers. You mistook this for an interest in history, and laboring under this misapprehension you once gave him a copy of Günter Grass’s My Century, which he never even tried to read.

It gets funnier.

The rape joke is that he kept a diary. I wonder if he wrote about the rape in it.

The rape joke is that you read it once, and he talked about another girl. He called her Miss Geography, and said “he didn’t have those urges when he looked at her anymore,” not since he met you. Close call, Miss Geography!

The rape joke is that he was your father’s high-school student—your father taught World Religion. You helped him clean out his classroom at the end of the year, and he let you take home the most beat-up textbooks.

The rape joke is that he knew you when you were 12 years old. He once helped your family move two states over, and you drove from Cincinnati to St. Louis with him, all by yourselves, and he was kind to you, and you talked the whole way. He had chaw in his mouth the entire time, and you told him he was disgusting and he laughed, and spat the juice through his goatee into a Mountain Dew bottle.

The rape joke is that come on, you should have seen it coming. This rape joke is practically writing itself.

The rape joke is that you were facedown. The rape joke is you were wearing a pretty green necklace that your sister had made for you. Later you cut that necklace up. The mattress felt a specific way, and your mouth felt a specific way open against it, as if you were speaking, but you know you were not. As if your mouth were open ten years into the future, reciting a poem called Rape Joke.

The rape joke is that time is different, becomes more horrible and more habitable, and accommodates your need to go deeper into it.

Just like the body, which more than a concrete form is a capacity.

You know the body of time is elastic, can take almost anything you give it, and heals quickly.

The rape joke is that of course there was blood, which in human beings is so close to the surface.

The rape joke is you went home like nothing happened, and laughed about it the next day and the day after that, and when you told people you laughed, and that was the rape joke.

It was a year before you told your parents, because he was like a son to them. The rape joke is that when you told your father, he made the sign of the cross over you and said, “I absolve you of your sins, in the name of the Father, and of the Son, and of the Holy Spirit,” which even in its total wrongheadedness, was so completely sweet.

The rape joke is that you were crazy for the next five years, and had to move cities, and had to move states, and whole days went down into the sinkhole of thinking about why it happened. Like you went to look at your backyard and suddenly it wasn’t there, and you were looking down into the center of the earth, which played the same red event perpetually.

The rape joke is that after a while you weren’t crazy anymore, but close call, Miss Geography.

The rape joke is that for the next five years all you did was write, and never about yourself, about anything else, about apples on the tree, about islands, dead poets and the worms that aerated them, and there was no warm body in what you wrote, it was elsewhere.

The rape joke is that this is finally artless. The rape joke is that you do not write artlessly.

The rape joke is if you write a poem called Rape Joke, you’re asking for it to become the only thing people remember about you.

The rape joke is that you asked why he did it. The rape joke is he said he didn’t know, like what else would a rape joke say? The rape joke said YOU were the one who was drunk, and the rape joke said you remembered it wrong, which made you laugh out loud for one long split-open second. The wine coolers weren’t Bartles & Jaymes, but it would be funnier for the rape joke if they were. It was some pussy flavor, like Passionate Mango or Destroyed Strawberry, which you drank down without question and trustingly in the heart of Cincinnati Ohio.

Can rape jokes be funny at all, is the question.

Can any part of the rape joke be funny. The part where it ends—haha, just kidding! Though you did dream of killing the rape joke for years, spilling all of its blood out, and telling it that way.

The rape joke cries out for the right to be told.

The rape joke is that this is just how it happened.

The rape joke is that the next day he gave you Pet Sounds. No really. Pet Sounds. He said he was sorry and then he gave you Pet Sounds. Come on, that’s a little bit funny.

Admit it